France

Léa Seydoux (No Time to Die) brilliantly holds the center of Bruno Dumont’s (Li’l Quinquin)
unexpected, unsettling new film France, which starts out as a satire of the contemporary news
media before steadily spiraling out into something richer and darker. Never one to shy away
from provoking his viewers, Dumont casts Seydoux as France de Meurs, a seemingly unflappable
superstar TV journalist whose career, home life, and psychological stability are shaken after she
carelessly drives into a young delivery man on a busy Paris street. This accident triggers a series of
self-reckonings, as well as a strange romance that proves impossible to shake. A film that teases at
redemption while refusing to grant absolution, France is tragicomic and deliciously ambivalent—a
very 21st-century treatment of the difficulty of maintaining identity in a corrosive culture.